The Horror Librarian: Can you tell us about your creative
process? How do you go from idea to book?
Jonathan
Maberry: I’m a structure guy. My training as a writer was in journalism, and I
did magazine feature writing for twenty-five years before turning to (mostly)
fiction. That discipline and process stuck, though it’s evolved a bit over the
last few years.
I
start with a concept and work it around in my head for a while to find a
version of it that isn’t a retread of what’s already out there. Any trope, no
matter how old or stale, can be given fresh life.
I
go from concept to rough outline. I use old-school bullet-pointed outlines. I
don’t, however, set it in stone because it’s unreasonable to think that you
have all of your best ideas on the day you write your outline.
From
there I usually write the first chapter of a book and then the last chapter (or
epilogue). Writing the first chapter sets the tone and voice for me. Writing
the last chapter gives me something to aim at. With short stories I write the
first and last pages. Same effect.
Along
the way I read chapters aloud, or my wife does. That helps me find word echoes,
stilted dialogue, logic flaws, and other errors.
My
writing schedule is pretty demanding. I write eight to ten hours each day. A
little less on weekends. I don’t take days off from writing.
The Horror Librarian: What is your dream project? And what
won't you ever write?
Jonathan
Maberry: I have a bunch of dream projects. I’d love to write an episode of
DOCTOR WHO. I’m a Who fan going back to Jon Pertwee. I’d also love to write a
story set in the world of Middle Earth, but I don’t think the Tolkien estate
will ever greenlight that kind of project.
Naturally
I’d love to adapt my own works to TV, film or comics. I could write a script
for DEAD OF NIGHT in my sleep. And I would love to write a TV series based on
my first three novels, the Pine Deep Trilogy (Ghost Road Blues, Dead Man’s Song
and Bad Moon Rising).
The Horror Librarian: What advice would you give to aspiring
authors?
Jonathan
Maberry: It’s important for aspiring writers to understand that while writing
is an art, publishing is a business. Know both. Be good at both.
Also,
when faced with multiple good ideas for your next writing project, pick the one
that would be the most fun to write. Do that, follow the fun.
Then,
once you pick your story, write it all the way to the end before revising.
And…don’t
let yourself get caught up in the mythology of being ‘a writer’. Forget writers
block, forget waiting for the muse to speak to you. Write something. Write
anything. If it comes out clunky, don’t sweat it. All first drafts are that
way. You can always –ALWAYS—fix it in the rewrite.
The Horror Librarian: What books would you recommend (either
fiction or nonfiction)?
Jonathan
Maberry: The one writing book I recommend to everyone is Donald Maass’ Writing
the Breakout Novel Workbook. That workbook has a series of exercises that help
you get to the heart of your story. I go through it every time I start a new novel.
The Horror Librarian: List five things that are on your writing
desk right now.
Jonathan
Maberry: I have a lot of oddball things on my desk. Over the desk are shelves
of books I’ve written and anthologies containing my stories. I have coffee mugs
with my book covers on them. I have a hand-carved statue of Gandalf the Gray
based on one of my sketches. I have a Shaun of the Dead statue. And there’s a
remote control zombie that walks and moans.
The Horror Librarian: What are you reading this month?
Jonathan
Maberry: I’m reading a bunch of stuff for possible cover quotes, and I have a
slew of short stories to read for a class I’m teaching. Apart from that I’ve
been trolling a lot of classic stuff –revisiting old friends, so to speak. I’m
a few stories away from finishing the complete works of Robert Bloch, and the
books on top of my to be read pile are Pariah
by Graham Masterton, Swan Song by
Robert McCammon, Cycle of the Werewolf by
Stephen King, Floating Dragon by
Peter Straub, and a bunch of small-press horror anthologies.
The Horror Librarian: As a horror author, your books often confront
the dark side of human nature (and beyond) to scare the hell out of your
readers. What scares you?
Jonathan
Maberry: I’m not afraid of the boogeyman or the monster under my bed, but I
have a sensible dread of misused technologies. Bioweapons and drones make me
twitch because of all the research I’ve done on them for my novels. Although
I’m a bit of a science geek, I’m realistic and cynic enough to know that many of
the people who possess or control such things aren’t necessarily mature enough,
smart enough, moral enough or sane enough to manage them with maximum safety or
in ways that genuinely serve the common good. And our clumsy mishandling of
antibiotics has resulted in a new generation of drug-resistant diseases. That’s
scarier than anything with fangs or talons.
The Horror Librarian: Thanks, Jonathan!
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